POEMS
by RED ALDERS Standing on a porch A raven is here, ripen under trees, Some wild thing lifts me
cupped and pleated bed in air, light, tinted
A blinking metal tower of
supports of air and time. To reach
where I have flown in resolve and feel the
need to land, A DELEGATION In low tide rain with
sounds like verse, from Sitka spruce, from bay
shore rocks, Through mist they spoke,
and spoke like this: which with some musing I
thought meant More words, the wind—some
ghosts—slipped through until I’d had a chance to
think. tides come and go, like
time and words— all, back and forth? And
I’ll transcribe that worlds might join in
learning how The scene was one of titled
heads Then on the raven delegation
You, me, old, neap, king,
new, we, us. . . . REPOSED I swallow whole the rising
moon It tumbles past my
choke-rock heart down by my legs of
cottonwood out onto plains where it
dissolves bright sun that sets, and
hawks in trees as willow fingers dipping
down Then I against the earth’s
cool berm and tideless for a
time—will sip THE END OF THE FALL Three leaves fall: Some leaves hold, one cold wind Not one thing Fall leaves, then,
____________________
WHEN
I FIRST
FELT HOW
COLD
“. . . on the shore My yellow autumn mornings
held a stream Then once, some secret
current took a mitten Later, home from school, my
older brother, And with a hook and string
and willow branch, As Fall fell into blue, I
cried for things WHAT I MIGHT BE DOING IN SPAIN My mother is in Spain and
sleeping. Still. If I were sitting by her in
the lamplight The small, late hours
ticking by. Or maybe This world I’ve known by
moving stone to stone— And break it open on her
bedside table, And listen for, in feather
rustling, words No. If I were there in
Spain, I’d let GIRL WITH WHITE COWS The girl walks down a road
along a fenceline, Or maybe she’ll not deign
to not be stylish She keeps her gait
assertive, straight and poised, Some serrate-chested,
black-browed, shoulder-humped Move their heads in bovine
unison EASTERS Dawn is winter-cold. The
beaming star Awake once, wild with life
and flowered floors By nature will the sun
exchange the flat Despite this gloom of
winter, all remains A FOREST ROOM I push aside a curtain made
I’ve been called to shade,
enticed A snail in his own spiraled
cell, A mushroom, here
crepuscular, Mycelia that anchor her I rest and sink into the
loam,
____________________
PRAIRIEHEAD A Midwest train once threw
me into rows And now out West, at noon,
I stand beside Stemmed ryegrass waving
wild that I on purpose What outward is this inward
field I know
SEPARATION Strange progeny of midnight
storm and stone, In gleaming morning as
things slowly part, Meanwhile over canyons
swept and scored, Above Mojave, through the
Hoh, off Tokyo,
PEACHES IN A GROWING ORCHARD This red-orange dish of
ripe and sweet, baked peaches But maybe time is round and
always here—
SAPPHIC BY THE WATER Flowers gather. Rivers are
deep and flowing. Voices, quiet; whispers
create new verses; City neon glows here at
midnight brightly, water bearing petals away
downstream now.
SHE IS EARTH AND SEA She is dawn, a grayscale
figure walking She is rice on warm tin
plates, her life And she’s the red rock
monuments that sail At dusk, a silhouette on
red, she gathers She is earth and sea, and
more to me,
____________________
CRANES
One crane in search of his one crane along this braided river Joins the myriad of cranes in grain along this braided river.
They eat in paradise beneath both sun and clouds as shadows Race and, flickering, gild the plain along this braided river.
The cooing throat, a murmuring flute, now herds the scattered flock, Strewn, earthbound, milling in the rain along this braided river.
They meet and wheel and dance on earth. They leap and slowly fall With epoch joy, and in refrain along this braided river
Sing among the broken stalks to quell their fiery heads, As trying seeds of doubt remain along this braided river—
Reconciliation with the soul’s true love is arduous. But dusk alleviates the strain along this braided river:
Behind night’s veil, each pairing binds together that one truth That all their wings and hearts contain along this braided river.
Cranes in blue-dark water marshal for the journey strength And brace for parting and more pain along this braided river.
At dawn, they rise, and with tremendous booming will, they go. The husk of sound and need remain along this braided river.
Go, pilgrim, with the cranes, and with their light and feathers fly. Leave behind your body-brain along this braided river.
JOHN
Rain that fell so hard at dusk is lighter In the darkness now yet falls still, steadily, With will, as if to make this night eternal, Turning me to letters to unlock Some higher meaning, finding I’m unable To escape the thoughts of earthly things.
His field. The smell of hay, all wet, so pungent. . . .
Such digressions. I should strive for words About a saint, a convert, the betrayer, How they suffered on their plains of doubt And taught me faith beyond myself. Instead,
I watched the farmer watch the sky and then Begin to bale his hay that lay in windrows, Trying to outwork the coming storm. . . .
Or maybe I should write of running through The pouring rain out to a chasm’s edge, Of falling, linen then enshrouding me, My body being lain in soft, green grass Beside the sandaled feet of rose-crowned marble Mary white against a pure blue sky.
He failed at last as rain began to fall. He left his field, his chore undone—I felt His human anguish at that dusky moment. . . .
I sit distracted by the rain, and by The questions: Could I farm this late in life? Plant and gather with the hope of finding Answers in the sureness of the seasons?
Tonight, his failure courses through me still.
Who am I in this mysterious world? I suppose that I am who I am, working Rows of ink to simple, measured lines, like
Soon the sun will rise and dry the earth.
And let them lift above the earth enough That they might whisper intimations As the hay half-harvested conveys:
That all of us will someday fall again Beneath the scythe of love and leave behind The rain, the toil, and this infernal night.
ONCE MORE BRIEFLY WHOLE
It’s dawn again and you with earthly senses Make your way across this lonesome prairie, Dodging eyes and slipping under fences, Loping on with backward glances, wary.
Or are you looking for your ardent past When you, encircled by the face of Moon, Felt bound and loved? By day, you merely cast A pale companion through the afternoon.
Some solace comes when in relief the walls Of mesas stand a darker black than night, And Moon in all her phases rises, falls, With you in thrall to her ephemeral light.
And in those moments, once more briefly whole, You howl the O of your soon sundered soul.
SEDNA’S HANDS Sedna, Inuit fertility goddess of the sea, is twice betrayed by male figures: first, by a seabird-spirit disguised as a suitor who lures her to his craggy island where he mistreats her; and then by her father who, while rescuing her, is attacked by the indignant seabird’s clan. To save himself, he throws Sedna out of his kayak, cutting off her fingers when she tries to climb back in. Defeated, Sedna retreats to the bottom of the sea. Though with reason to be misanthropic, she instead chooses to be benevolent to humankind. Her wounds are earth’s fatal wounds; No more cat’s cradle to fix the sun. Yet something true lives in the half-lit World in fading autumn blue Among twisted trees and willow twigs Thin and black, and in the seas That teem always at the cold top Of the world turning gray and old. Fertile crimson-green sweeps the air, The untangling of braided hair. Her wails have ended.
Her thumbs, the great bow whales, appear In the leads and wait for us there. Her fingers swim and fill our nets To the brim in oblique sunlight. Walrus, breath steaming, come Streaming to land, with tusks that hold The draping linen sky, and so Conceals that fearful gaping void. We hunt, they bleed red on the ice And feed us in the semi-dark. She calms.
With face in mangled palms, once hands Now gnarled knobs of flesh, she stands Crying as the wild shaman-combing Of her hair sends sparks flying. They form the circumpolar Bear Who with his siblings of the air Fills the vast, long-lingering night, Bright children she will never bear; She swallowed raw, false words of one Perfidious pelagic bird. Still, she remembers
Us. Her embers float in the sky And warm this turning, twilit world While she, self-exiled, sits alone At the dark bottom of the sea. Though pack ice, turgid, bends and moans And rivers, frozen, crack like bones, In sun or mist, and when it snows, In open water, on the floes, Everything lives; for, as she chooses, Despite her useless hands, she gives And gives.
LYRICS
They float in yards, in fields, and in wild places, too, The pipe-notes, all day long, and just within our earshot; Lyrics are the air, wood, water, rocks, and rain.
In scores, set free, they mingle in the shade of peach, Beneath the osier, rose, and beech; and some rise sunward Over foxes trotting through fresh-fallen snow,
And when we’re close to sleep, they come to light on us. We touch our fingertips so sure that vague impressions From those ancient instruments still linger there.
We are bound—not mired in ash piles at our feet— To follow life to shady green remembered sounds; Lyrics are the air, wood, water, rocks, and rain.
|